The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 123
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been ...
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been ...
Seite 124
... Criticism of Fact . The consequences , for the criticism of sentiment , of its lack of exact knowledge and disinterested experience in the art of architecture , have already been set out . But what are the results , for the critics of ...
... Criticism of Fact . The consequences , for the criticism of sentiment , of its lack of exact knowledge and disinterested experience in the art of architecture , have already been set out . But what are the results , for the critics of ...
Seite 154
... criticism - is not purely intellectual . The effort of criticism to ' understand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste intelli- gible . Of this ...
... criticism - is not purely intellectual . The effort of criticism to ' understand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste intelli- gible . Of this ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN