The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 34
... construction of the Renaissance was often vast in extent and courageous in conception , it was at the same time simpler and less scientific than that of the centuries immediately preceding , and it was based for the most part upon the ...
... construction of the Renaissance was often vast in extent and courageous in conception , it was at the same time simpler and less scientific than that of the centuries immediately preceding , and it was based for the most part upon the ...
Seite 84
... construction con- sists in obtaining the necessary results , with complete se- curity and the utmost economy of ... construction , therefore , is not pure construction , but construction for an æsthetic purpose , and it is not , strictly ...
... construction con- sists in obtaining the necessary results , with complete se- curity and the utmost economy of ... construction , therefore , is not pure construction , but construction for an æsthetic purpose , and it is not , strictly ...
Seite 85
... construction truthfully ex- pressed ' ? Not even this . For the Greek detail , though of constructional origin , is expressive of the devices of build- ing in wood ; reproduced in stone , it untruthfully repre- sents the structural ...
... construction truthfully ex- pressed ' ? Not even this . For the Greek detail , though of constructional origin , is expressive of the devices of build- ing in wood ; reproduced in stone , it untruthfully repre- sents the structural ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN