The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 47
... civilisation . The Greek modes of the period are deliberately meant to ' sug- gest ' its political or other doctrines ; and the intrusion of Egyptian detail which followed Napoleon's African ex- pedition is an instance of the same ...
... civilisation . The Greek modes of the period are deliberately meant to ' sug- gest ' its political or other doctrines ; and the intrusion of Egyptian detail which followed Napoleon's African ex- pedition is an instance of the same ...
Seite 61
... civilisation , and calm . More than this , a certain ' natural ' quality belonged to the Gothic style itself . Like Nature , it was intricate and strange ; in detail realis- tic , in composition it was bold , accidental and irregular ...
... civilisation , and calm . More than this , a certain ' natural ' quality belonged to the Gothic style itself . Like Nature , it was intricate and strange ; in detail realis- tic , in composition it was bold , accidental and irregular ...
Seite 125
... Civilisation is the organisation of values . In life , and in the arts , civilisation blends a group of compatible values into some kind of sustained and sat- THE ETHICAL FALLACY 125.
... Civilisation is the organisation of values . In life , and in the arts , civilisation blends a group of compatible values into some kind of sustained and sat- THE ETHICAL FALLACY 125.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN