The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 31
... character of the pa- pacy in this period was largely formed by the character of its popes ; and such men as Pius II . , Leo x . , and Julius II . , were fit patrons of Renaissance architecture , partly for the reason that they were ...
... character of the pa- pacy in this period was largely formed by the character of its popes ; and such men as Pius II . , Leo x . , and Julius II . , were fit patrons of Renaissance architecture , partly for the reason that they were ...
Seite 51
... character , the sensuous value , of the concrete arts . If it is a question of architecture , the architectural design is taken as standing for the period which invented and is associated with it , and as suggesting , conventionally ...
... character , the sensuous value , of the concrete arts . If it is a question of architecture , the architectural design is taken as standing for the period which invented and is associated with it , and as suggesting , conventionally ...
Seite 99
... character ' from ' the historical ante- cedents , moral conditions ... and religious beliefs of the peoples and epochs to which they belong ( the æsthetic sense of a people apparently contributes nothing to the character of their work ) ...
... character ' from ' the historical ante- cedents , moral conditions ... and religious beliefs of the peoples and epochs to which they belong ( the æsthetic sense of a people apparently contributes nothing to the character of their work ) ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN