The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 86
A Study in the History of Taste Geoffrey Scott. Beauty , it will say , is necessary to good architecture , and beauty cannot be the same as good construction . But good construction is necessary as well as beauty . We must admit , it ...
A Study in the History of Taste Geoffrey Scott. Beauty , it will say , is necessary to good architecture , and beauty cannot be the same as good construction . But good construction is necessary as well as beauty . We must admit , it ...
Seite 87
... beauty , somewhat as pigments and canvas exist for the painter . Insecure structures , like fading pigments , are technical faults of art ; all other struc- tural considerations are , for the purposes of art , irrelevant . And ...
... beauty , somewhat as pigments and canvas exist for the painter . Insecure structures , like fading pigments , are technical faults of art ; all other struc- tural considerations are , for the purposes of art , irrelevant . And ...
Seite 154
... beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex- cessive intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of intellectual ...
... beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex- cessive intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of intellectual ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN