The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 21
... archi- tectural style , opposed in aim and contradictory in feeling , successively arose ; but the language in which they dis- puted was one language , the dialects they employed were all akin ; and at no moment can we say that what ...
... archi- tectural style , opposed in aim and contradictory in feeling , successively arose ; but the language in which they dis- puted was one language , the dialects they employed were all akin ; and at no moment can we say that what ...
Seite 27
... archi- tecture underwent in Italy , from the fifteenth to the eight- eenth century , corresponded to no racial movements ; they were unaccompanied by social changes equally sudden , or equally complete ; they were undictated , for the ...
... archi- tecture underwent in Italy , from the fifteenth to the eight- eenth century , corresponded to no racial movements ; they were unaccompanied by social changes equally sudden , or equally complete ; they were undictated , for the ...
Seite 137
... archi- tecture - did , on the contrary , show at this moment a real decline . For the genius of Michael Angelo , which in archi- tecture had merely indicated a line of fruitful advance , had in painting fulfilled , and even passed ...
... archi- tecture - did , on the contrary , show at this moment a real decline . For the genius of Michael Angelo , which in archi- tecture had merely indicated a line of fruitful advance , had in painting fulfilled , and even passed ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN