The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 44
... utmost melancholy : Cette vieille fée ( the housekeeper ) montre fort bien l'antique et lugubre demeure de Knowles , dont la tristesse est incomparable .'- Duchesse de Dino , Chronique . of the distant and the past , with archæology at 44.
... utmost melancholy : Cette vieille fée ( the housekeeper ) montre fort bien l'antique et lugubre demeure de Knowles , dont la tristesse est incomparable .'- Duchesse de Dino , Chronique . of the distant and the past , with archæology at 44.
Seite 141
... antique . So much must be conceded even by those who have studied the variety and realised the vigour which the Renaissance style displays , who see most clearly how inevitable was this imitative impulse and how deep the inventive ...
... antique . So much must be conceded even by those who have studied the variety and realised the vigour which the Renaissance style displays , who see most clearly how inevitable was this imitative impulse and how deep the inventive ...
Seite 151
... antique to serve the uses of the modern world . The change was deeply natural . Europe no longer recognised itself in the hopes and habits of its immediate past ; it did recognise itself , on the con- trary , in that remoter and more ...
... antique to serve the uses of the modern world . The change was deeply natural . Europe no longer recognised itself in the hopes and habits of its immediate past ; it did recognise itself , on the con- trary , in that remoter and more ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN