The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 89
... achieved by an identical expedient ? No doubt when this can be done , it is the simplest and most straight- forward ... achieving this coincidence . When they took the prim- itive Doric construction , and raised it to a perfect æsthetic ...
... achieved by an identical expedient ? No doubt when this can be done , it is the simplest and most straight- forward ... achieving this coincidence . When they took the prim- itive Doric construction , and raised it to a perfect æsthetic ...
Seite 95
... achieved when once the stability of architecture is assured . And any means to that end are , scientifically ... achieve an æsthetic interest and an ideal value . Structure , then , is , on the one hand , the technique by which the art ...
... achieved when once the stability of architecture is assured . And any means to that end are , scientifically ... achieve an æsthetic interest and an ideal value . Structure , then , is , on the one hand , the technique by which the art ...
Seite 176
... achieved , for they are mutually conflicting . Style , through coherence , subordinates beauty to the pat- tern of ... achieving intellectual force . Architecture that is spacious , massive and coherent 176.
... achieved , for they are mutually conflicting . Style , through coherence , subordinates beauty to the pat- tern of ... achieving intellectual force . Architecture that is spacious , massive and coherent 176.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN