The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 151
... academic , unalive . ' A measure of truth , slight but sufficient to give the prej- udice life , underlies the judgment . Fundamentally it is a confusion . An art is academic , in this harmful sense , when its old achievements crush ...
... academic , unalive . ' A measure of truth , slight but sufficient to give the prej- udice life , underlies the judgment . Fundamentally it is a confusion . An art is academic , in this harmful sense , when its old achievements crush ...
Seite 152
... academic , as were the shams of archæ- ology three hundred years later . That Renaissance architecture was built up around an academic tradition - that it was , in a measure , imitative- will not , if we understand aright the historical ...
... academic , as were the shams of archæ- ology three hundred years later . That Renaissance architecture was built up around an academic tradition - that it was , in a measure , imitative- will not , if we understand aright the historical ...
Seite 153
... academic tradition , allied , as it was in the Renaissance , to a living sense of art , is fruitful ; but the academic theory is at all times barren . 7 The view that , because certain forms were used in the past they must therefore be ...
... academic tradition , allied , as it was in the Renaissance , to a living sense of art , is fruitful ; but the academic theory is at all times barren . 7 The view that , because certain forms were used in the past they must therefore be ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN