The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 146
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
Seite 147
... Vitruvius subjugated France , till then abandoned to the trifling classicism of François I .; through those of Palladio he became supreme in England . ' Nature , O Emperor , ' wrote the Augustan critic , ' has denied me a full stature ...
... Vitruvius subjugated France , till then abandoned to the trifling classicism of François I .; through those of Palladio he became supreme in England . ' Nature , O Emperor , ' wrote the Augustan critic , ' has denied me a full stature ...
Seite 149
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to subjugate the promptings of the artist . True , the zeal of scholarship was there , and it was a new force in ...
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to subjugate the promptings of the artist . True , the zeal of scholarship was there , and it was a new force in ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN