The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 106
... Vitruvian building might seem to be more eloquent than precise , he succeeded in enlisting in favour of his prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have ...
... Vitruvian building might seem to be more eloquent than precise , he succeeded in enlisting in favour of his prejudices an amaz- ing body of inspired support . But it is easy to see that an equal expenditure of ingenuity might have ...
Seite 146
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
... Vitruvius . Scholarship set up the ideal of an exact and textual subservience to the antique ; Vitruvius provided the code : printing disseminated it . It is difficult to do justice to the force which this implied . The effective ...
Seite 149
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to ... Vitruvian of all , admits the charm of novelty . These were the masters of the academic school . The other camp ...
... Vitruvius , how little in the cu- riously dual nature of the Renaissance architect the zeal of the scholar was allowed to ... Vitruvian of all , admits the charm of novelty . These were the masters of the academic school . The other camp ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN