The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
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Seite 103
... Roman style in Europe must be inherent also in the Roman architecture itself . These dogmas survive the sectarian quarrel which gave them birth . The charge out- lives its motive ; and Renaissance architecture is still for many a critic ...
... Roman style in Europe must be inherent also in the Roman architecture itself . These dogmas survive the sectarian quarrel which gave them birth . The charge out- lives its motive ; and Renaissance architecture is still for many a critic ...
Seite 151
... Roman buildings corresponded but imperfectly to his laws ; the Greek move- ment dethroned the authority of Rome itself ; science turned its back on Greece and Rome together ; and Ro- manticism , with its myth of ' untaught genius ...
... Roman buildings corresponded but imperfectly to his laws ; the Greek move- ment dethroned the authority of Rome itself ; science turned its back on Greece and Rome together ; and Ro- manticism , with its myth of ' untaught genius ...
Seite 180
... architecture as in thought it is to Rome , not Greece , that humanism owes its deep and racial hold upon the West . The architecture which thus rose with humanism was with humanism eclipsed and with humanism restored . To pass from Roman ...
... architecture as in thought it is to Rome , not Greece , that humanism owes its deep and racial hold upon the West . The architecture which thus rose with humanism was with humanism eclipsed and with humanism restored . To pass from Roman ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN