The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 28
... Italy is a river in the flood . Race , politics , the changes of society , geological facts , mechanical laws , do not exhaust the factors of the case . Taste - the disinterested enthusiasm for architectural form - is something which ...
... Italy is a river in the flood . Race , politics , the changes of society , geological facts , mechanical laws , do not exhaust the factors of the case . Taste - the disinterested enthusiasm for architectural form - is something which ...
Seite 32
... Italy , assisted the architecture of the Renaissance to assume such prominence , did not vary with the marked and swift alterations of its style . The style had an orbit , and an impetus , of its own . In Italy nothing is commoner than ...
... Italy , assisted the architecture of the Renaissance to assume such prominence , did not vary with the marked and swift alterations of its style . The style had an orbit , and an impetus , of its own . In Italy nothing is commoner than ...
Seite 150
... Italy for guidance . Italian architec- ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were ...
... Italy for guidance . Italian architec- ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN