The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 35
Seite 45
... Gothic , and the Arabesque , and charmingly vague about their limits . Their studies are pursued without calling in question the superior fitness of the classical tradition . Nevertheless , the orthodoxies of archæology now hold sway ...
... Gothic , and the Arabesque , and charmingly vague about their limits . Their studies are pursued without calling in question the superior fitness of the classical tradition . Nevertheless , the orthodoxies of archæology now hold sway ...
Seite 47
... Gothic as an amusing exotic - an attitude which was thoroughly in the Renais- sance spirit and characteristic ... Gothic and also to the living style . These now came more and more to be regarded symbolically , as standing for certain ...
... Gothic as an amusing exotic - an attitude which was thoroughly in the Renais- sance spirit and characteristic ... Gothic and also to the living style . These now came more and more to be regarded symbolically , as standing for certain ...
Seite 61
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic build- ers belonged to the ' nobly savage ' north , and had built against ...
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic build- ers belonged to the ' nobly savage ' north , and had built against ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN