The Architecture of Humanism: A Study in the History of TasteDoubleday, 1956 - 197 Seiten |
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Seite 22
... æsthetic impulsion , controlled by æsthetic laws , and only by an æsthetic criticism to be fi- nally justified or condemned . It must , in fact , be studied as an art . Here , however , is the true core of the difficulty . The sci- ence ...
... æsthetic impulsion , controlled by æsthetic laws , and only by an æsthetic criticism to be fi- nally justified or condemned . It must , in fact , be studied as an art . Here , however , is the true core of the difficulty . The sci- ence ...
Seite 110
... æsthetic quality of architecture and its social result . To confuse the social consequences with the æsthetic value would be an ordinary instance of the Ro- mantic Fallacy . Those were not necessarily the worst poets whom Plato urbanely ...
... æsthetic quality of architecture and its social result . To confuse the social consequences with the æsthetic value would be an ordinary instance of the Ro- mantic Fallacy . Those were not necessarily the worst poets whom Plato urbanely ...
Seite 122
... æsthetic purpose has been impartially dis- cerned . An artist may fail in what he has set before him , his failure may be a moral one , a recognisable negligence , but it is manifested , none the less , in an æsthetic failure , and is ...
... æsthetic purpose has been impartially dis- cerned . An artist may fail in what he has set before him , his failure may be a moral one , a recognisable negligence , but it is manifested , none the less , in an æsthetic failure , and is ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique archi argument artistic baroque architects beauty Bramante Brunelleschi builders building century character chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy JACQUES BARZUN laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius W. H. AUDEN