"STAND AS AN ANVIL, WHEN IT IS BEATEN UPON." "STAND, like an anvil," when the stroke Of stalwart men falls fierce and fast: Storms but more deeply root the oak, Whose brawny arms embrace the blast. "Stand like an anvil," when the sparks Fly, far and wide a fiery shower; Virtue and truth must still be marks, Where malice proves its want of power. Stand, like an anvil," when the bar Lies, red and glowing, on its breast: Duty shall be life's leading star, And conscious innocence its rest. Stand like an anvil," when the sound Of ponderous hammers pains the ear: Thine, but the still and stern rebound Of the great heart that cannot fear. *Stand, like an anvil;" noise and heat Are born of earth, and die with time: The soul, like GoD, its source and seat, Is solemn, still, serene, sublime. THAT SILENT MOON. THAT silent moon, that silent moon, Have pass'd beneath her placid eye, Profaned her pure and holy light: Small sympathy is hers, I ween, With sights like these, that virgin queen! But dear to her, in summer eve, By rippling wave, or tufted grove, When hand in hand is purely clasp'd, And heart meets heart in holy love, And start the tear for those we love, And oft she looks, that silent moon, On lonely eyes that wake to weep In dungeon dark, or sacred cell, Or couch, whence pain has banish'd slee: O! softly beams her gentle eye On those who mourn, and those who die But, beam on whomsoe'er she will, Or bask them in the noontide ray; From dawning light to dying day :- THERMOPYLE. "T WAS an hour of fearful issues, When the bold three hundred stood, For their love of holy freedom, By that old Thessalian flood; When, lifting high each sword of flame, They call'd on every sacred name, And swore, beside those dashing waves, They never, never would be slaves! And, O! that oath was nobly kept: From morn to setting sun Did desperation urge the fight Which valour had begun; Till, torrent-like, the stream of blood Ran down and mingled with the flood, And all, from mountain-cliff to wave, Was Freedom's, Valour's, Glory's grave O, yes, that oath was nobly kept, Which nobly had been sworn, And proudly did each gallant heart The foeman's fetters spurn; And firmly was the fight maintain'd, And amply was the triumph gain'd; They fought, fair Liberty, for thee: They fell-TO DIE IS TO BE FREE. ROBIN REDBREAST.* SWEET Robin, I have heard them say, * I have somewhere met with an old legend, that a robin hovering about the Cross, bore off a thorn. from our dea Saviour's crown, and dyed his bosom with the blood; and that from that time robins have been the friends of man "WHAT IS THAT, MOTHER?" WHAT is that, Mother?—The lark, my child!- To warble it out in his Maker's ear. Ever, my child, be thy morn's first lays What is that, Mother?-The dove, my son!— Ever, my son, be thou like the dove, In friendship as faithful, as constant in love. What is that, Mother?-The eagle, boy!- Firm, on his own mountain vigour relying, Live so, my love, that when death shall come, A CHERUB. "Dear Sir, I am in some little disorder by reason of the death of a little child of mine, a boy that lately made us very glad; but now he rejoices in his little orbe, while we thinke, and sigh, and long to be as safe as he is."JEREMY TAYLOR to EVELYN, 1656. BEAUTIFUL thing, with thine eye of light, Beautiful thing! thou art come in love, Io the better thoughts, to the brighter skies, Beautiful thing! thou art come in joy, With the look and the voice of our darling coy- LINES BY THE LAKE SIDE. THIS placid lake, my gentle girl, And see, how every glorious form A mirror'd image lies; To Gon and virtue given, And thought, and word, and action bea The imagery of heaven. THE CHRISTIAN'S DEATH. LIFT not thou the wailing voice, Ransom'd now, the spirit flieth; But, as one who alway hopeth, Humbly here in faith relying, Peacefully in JESUS dying, Heavenly joy her eye is flushing,Why should thine with tears be gushing? They who die in CHRIST are bless'd, Ours be, then, no thought of grieving! All their toils and troubles leaving: Love that to the end endureth, And, through CHRIST, the crown secureth! GEORGE BANCROFT. [Born, 1800.1 MR. BANCROFT is more distinguished as a poli- | work on the history of this country, which is tician and a historian than as a poet; but his earliest aspirations were for the wreath of the bard; the first flowerings of his genius were in a volume of poems; and whatever the ambitions of his later years, he has continued to find in the divinest of the arts a recreation for himself and a means of conferring happiness on others. He was born in Worcester, Massachusetts, where his father was many years honourably distinguished as a pious and learned clergyman, and at the early age of seventeen was graduated bachelor of arts at Harvard College. The next year he went to Europe, and for four years studied at Gottingen and Berlin, and travelled in Germany, Italy, Switzerland, and England. On his return, in 1823, he published a volume of "Poems," most of which were written while he was abroad. He soon after established the academy of Round Hill, at Northampton, but in a few years became too deeply interested in politics for a teacher, and about the same period began the composition of that great MIDNIGHT, AT MEYRINGEN. Is there no slumber for the hearts that mourn? Nor night, nor silence lends my bosom rest; Ah! there the fates spin sorrow's blackest thread, There Destiny, with threatening wings outspread, THE SIMPLON. FAREWELL TO SWITZERLAND. Land of the brave! land of the free! farewell! destined to be the best measure of his literary abilities. In 1838 he was appointed collector of Boston; in 1844 was the candidate of the democratic party for the office of Governor of Massachusetts; in 1845 was made secretary of the Navy; in 1846 was sent as minister-plenipotentiary to England; and on his return, in 1849, became a resident of New York, where he has since devoted himself principally to the composition of his History of the United States," of which the fifth volume appeared in 1854. He has recently published a volume of "Literary and Historical Miscellanies," embracing essays; studies in German literature, including poetical translations from GOETHE, SCHILLER, RUECKERT, and others; studies in history; and occasional addresses. Of his History I have printed some observations in “The Prose Writers of America." To what rank he might have attained as a poet, the judicious reader may see from the specimens of his verse which are here quoted. In sparkling splendour; and with crimson light to sweep; There in still nook he forms the smiling lake Of glassy clearness, where the boatman glides; And thence a gentler course his torrents take, And white-walled towns like lillies deck his sides. And as I lay in Nature's soothing arms, On Memory's leaf she drew in colours bright The mountain landscape's ever varying charms, And bade Remembrance guard each haughty height, I dared to tread, each vale I wander'd through, O Earth! I cried, thou kindest nurse, still turns Upon thy bosom; from the fountains gush f'o thee in hope and confidence I came, And thou didst lend thine air a soothing balm; Didst teach me sorrow's fearful power to tame, And be, though pensive, cheerful, pleased, and calm. My heart was chilled; age stole upon my mind, AN ADDRESS TO THE DEITY. AT KANDERSTEG. FATHER in heaven! while friendless and alone When on the hill's majestic height I trod, The stream of thought flowed purely, like the air I gazed on thy creation. O! 't is fair; I marvel not at nature. She is thine; "T is thou, when o'er my path beams cheerful day, That smiling guid'st me through the stranger's land; And when mild winds around my temples play, And shall I fear thee?-wherefore fear thy wrath, MY GODDESS. A FREE VERSION FROM GOEthe. WHO, of heaven's immortal train. For to her, and her alone, Oft, with aspect mild, she goes, Or, with darker mein, and hair Streaming loose in murky air, With the storm she rushes by, Whistling where the crags are high, And, with hues of thousand dyes, Like the late and early skies, Changes and is changed again, Fast as moons that wax and wane. Him, the ancient sire, we'll praise For to us alone she's given, Other tribes, that have their birth But to us, with kind intent, Yet I know Jove's elder child, GEORGE HILL. [Born, 1800.] GEORGE HILL is a native of Guilford, on Long Island Sound, near New Haven. He was admitted to Yale College in his fifteenth year, and, when he graduated, took the Berkeleian prize, as the best classic. He was subsequently attached to the navy, as Professor of Mathematics; and visited in this capacity the Mediterranean, its storied islands, and classic shores. After his return, he was appointed librarian to the State Department, at Washington: a situation which he at length resigned on account of ill health, and was appointed Consul of the United States for the southwestern portion of Asia Minor. The climate disa | greeing with him, he returned to Washington and he is now attached again to one of the bureaus in the Department of State. The style of Mr. Hill's poetry is severe, and sometimes so elliptical as to embarrass his meaning; this is especially true of his more elaborate production, "The Ruins of Athens," written in the Spenserian stanza. He is most successful in his lyrics, where he has more freedom, without a loss of energy His "Titania," a dramatic piece, is perhaps the most original of his productions. It is wild and fanciful, and graced with images of much beauty and freshness. FROM "THE RUINS OF ATHENS." THE daylight fades o'er old Cyllene's hill, And broad and dun the mountain shadows fall; The stars are up and sparkling, as if still Smiling upon their altars; but the tall, Dark cypress, gently, as a mourner, bendsWet with the drops of evening as with tearsAlike o'er shrine and worshipper, and blends, All dim and lonely, with the wrecks of years, As of a world gone by no coming morning cheers. There sits the queen of temples-gray and lone. She, like the last of an imperial line, Has seen her sister structures, one by one, To Time their gods and worshippers resign; And the stars twinkle through the weeds that twine Their roofless capitals; and, through the night, Heard the hoarse drum and the exploding mine, The clash of arms and hymns of uncouth rite, From their dismantled shrines the guardian powers affright. Go thou from whose forsaken heart are reft The ties of home; and, where a dwelling-place Not Jove himself the elements have left, The grass-grown, undefined arena pace! [hear Look on its rent, though tower-like shafts, and The loud winds thunder in their aged face; Then slowly turn thine eye, where moulders near A CESAR'S arch, and the blue depth of space Vaults like a sepulchre the wrecks of a past race. Is it not better with the Eremite, Where the weeds rustle o'er his airy cave, Perch'd on their summit, through the long, still night To sit and watch their shadows slowly wave- While oft some fragment, sapp'd by dull decay. Or, where the palm, at twilight's holy hour, weeps Vainly the Spring her quickening dews away, And Love as vainly mourns, and mourns, alas! for aye. Or, more remote, on Nature's haunts intrude, Where, since creation, she has slept on flowers, Wet with the noonday forest-dew, and woo'd By untamed choristers in unpruned bowers: By pathless thicket, rock that time-worn towers O'er dells untrodden by the hunter, piled Ere by its shadow measured were the hours To human eye, the rampart of the wild, Whose banner is the cloud, by carnage undefiled. The weary spirit that forsaken plods The world's wide wilderness, a home may find Here, mid the dwellings of long-banish'd gods, And thoughts they bring, the mourners of the mind; The spectres that no spell has power to bind. The loved, but lost, whose soul's life is in ours, As incense in sepulchral urns, enshrined, The sense of blighted or of wasted powers, The hopes whose promised fruits have perish'd with their flowers. |