Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and CorinnaRowman & Littlefield, 1998 - 338 Seiten In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna. Segal provides close readings of the texts, and then studies the literary form and language of early Greek lyric, the poets' conception of their aims and their art, the use of mythical paradigms, and the relation of the poems to their social context. A recurrent theme is the recognition of the fragility and brevity of mortal happiness and the consciousness of how the immortality conferred by poetry resists the ever-threatening presence of death and oblivion, fixing in permanent form the passing moments of joy and beauty. This is an essential book for students and scholars of ancient Greek poetry. |
Inhalt
| 9 | |
| 25 | |
| 43 | |
| 63 | |
| 85 | |
| 105 | |
Messages to the Underworld An Aspect of Poetic Immortalization in Pindar | 133 |
Pindar Mimnermus and the Zeusgiven Gleam The End of Pythian 8 | 149 |
Pindars Seventh Nemean | 185 |
Myth Cult and Memory in Pindars Third and Fourth Isthmian Odes | 229 |
Bacchylides Reconsidered Epithets and the Dynamics of Lyric Narrative | 251 |
Croesus on the Pyre Herodotus and Bacchylides | 281 |
The Myth of Bacchylides 17 Heroic Quest and Heroic Identity | 295 |
Pebbles in Golden Urns The Date and Style of Corinna | 315 |
Index Locorum | 327 |
General Index | 331 |
Time and the Hero The Myth of Nemean 1 | 155 |
Arrest and Movement Pindars Fifth Nemean | 167 |
About the Author | |
Andere Ausgaben - Alle anzeigen
Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna Charles Segal Eingeschränkte Leseprobe - 1997 |
Häufige Begriffe und Wortgruppen
Aeacids Aeacus Aegina Aeschylus Agido Ajax Alcaeus Alcman Alcman's Partheneion Anactoria Aphrodite Apollo archaic association Athena Bacchylides beauty birth Bowra celebration Chapter chorus context contrast Corinna Croesus cult darkness death deeds Detienne divine earth echo Eleithyia epic epithets especially fame Farnell father female festival frag Fränkel Gentili gift gnomic goddess gods Gorgon Greek Hades Hagesichora Helen Hera Heracles Hermes hero Herodotus heroic Hesiod Homeric human Iliad imagery immortal interpretation Isthmian light lines Lyre Lyric Méautis Medusa metaphor Mimnermus Minos Moirai mortal motif movement Muses myth mythical narrative Nemean Neoptolemus ode's Odysseus Olympian Olympus oral parallel passage Peleus Phocus phrase Pindar Pleiades poem poet poet's poetic poetry Poseidon praise proem Puelma pyre Pythian radiance realm ritual Sappho sexual Sogenes song strophe suggests theme Theseus Thummer tradition verb victory Wilamowitz words Zeus γὰρ δὲ ἐν καὶ μὲν τε
Beliebte Passagen
Seite 152 - An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress...
Seite 244 - ... between the world of the living and the realm of the dead.
Seite ix - Gregory Nagy, General Editor Building on the foundations of scholarship within the disciplines of philology, philosophy, history, and archaeology, this series spans the continuum of Greek traditions extending from the second millennium BC to the present, not just the Archaic and Classical periods.
Seite 92 - receives from Athena the blood that flowed from the veins of the Gorgon, and...
Seite 49 - He seems as fortunate as the gods to me, the man who sits opposite you and listens nearby to your sweet voice and lovely laughter. Truly that sets my heart trembling in my breast. For when I look at you for a moment, then it is no longer possible...
Seite xvii - AJP American Journal of Philology BICS Bulletin of the Institute of Classical Studies...
Seite 52 - Star of evening, that brings all things which bright Dawn scattered, you bring the sheep, you bring the goat, you bring the child back to its mother.
Seite 49 - For when I look at you a moment, then I have no longer power to speak, But my tongue keeps silence, straightway a subtle flame has stolen beneath my flesh, with my eyes I see nothing, my ears are humming. A cold sweat covers me, and a trembling seizes me all over, I am paler than grass, I seem to be not far short of death...
Seite 144 - WW How and J. Wells, A Commentary on Herodotus (Oxford, 1912), I, 64.
Seite xviii - HSCP Harvard Studies in Classical Philology. JHI Journal of the History of Ideas. JHS Journal of Hellenic Studies.
