A Hand-book of the History of the Spanish and French Schools of Painting: Intended as a Sequel to "Kugler's Hand-books of the Italian, German, and Dutch Schools of Painting."J. Murray, 1848 - 373 Seiten |
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Academy admirable afterwards Alonso Cano angels antique Antonio artist beautiful Berruguete born Carducho Catalogue cathedral cathedral of Toledo Cean Bermudez chapel character Charles Christ church Coello collection colour Commission composition convent court death Diccion died drapery Duke El Greco engraved Escurial excellence executed feeling Félibien figures Flemish Ford Ford's Hand-book formerly France Francisco French school Gault de St Germain Granada Greuze hand head Ibid imitation Italian Italy Juan king Kugler Kunstblatt landscape large picture latter Lebrun Lord Louis XIV Louvre Luca Giordano Luis de Vargas Madrid Madrid Gallery manner master merit Messrs Murillo native original Pacheco painted painter palace Palomino Paul Veronese Pedro Philip Philip IV portrait Poussin pupil Raphael retablo Roelas Rome Royal saint Saragossa says sculptor seen Seville Spain specimen studied style taste tion Titian Toledo tone ture Valencia Vasari Velazquez vols Waagen Waagen's England Waagen's Paris whilst Wilkie Zurbaran
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Seite 125 - A dungeon horrible, on all sides round As one great furnace flamed, yet from those flames No light, but rather darkness visible Served only to discover sights of woe...
Seite 5 - Dedimus profecto grande patientiae documentum; et sicut vetus aetas vidit quid ultimum in libertate esset, ita nos quid in servitute, adempto per inquisitiones etiam loquendi audiendique commercio. Memoriam quoque ipsam cum voce perdidissemus, si tam in nostra potestate esset oblivisci quam tacere.
Seite 6 - Moscow at the end of the 15th and the beginning of the 16th centuries; fortress monasteries; the town of Kola and its defensive structures (16th-18th centuries).
Seite 14 - What can be more foreign from the respect which we owe to the purity of Our Lady the Virgin than to paint her sitting down with one of her knees placed over the other, and often with her sacred feet uncovered and naked. Let thanks be given to the Holy Inquisition which commands that this liberty should be corrected!
Seite 80 - No quiso el cielo que hablase porque con mi entendimiento diese mayor sentimiento a las cosas que pintase. Y tanta vida les di con el pincel singular, que como no pude hablar hice que hablasen por mí.
Seite 23 - Centuries. With a Description of the Manufacture, a Glossary, and a List of Monograms. With Coloured Plates and Woodcuts. Svo.
Seite 135 - in every object there is inexhaustible meaning ; the eye sees in it what the eye brings means of seeing.' To Newton and to Newton's Dog Diamond, what a different pair of Universes ; while the painting on the optical retina of both was, most likely, the same ! Let the Reader here, in this sick-room of Louis, endeavour to look with the mind too.
Seite 188 - Murillo, indeed, he has greater talent ; was more the founder of a school — more capable of giving a new direction to art; he has displayed the philosophy of art, but Murillo has concealed it, and we are surprised that art and address can do so much. One wonders, too, that sheer simplicity should be so little be1 M. Digby Wyatt, " Fine Art,
Seite 304 - When I visited him some years since in France, I found him at work on a very large picture, without drawings or models of any kind. On my remarking this particular circumstance, he said, when he was young, studying his art, he found it necessary to use models ; but he had left them off for many year*.
Seite 15 - Si igitur ante conceptum sui sanctificari minime potuit, quoniam non erat, sed nec in ipso quidem conceptu propter peccatum quod inerat : restat ut post conceptum in utero iam existens sanctificationem accepisse credatur, quae excluso peccato sanctam fecerit nativitatem, non tamen et conceptionein.