The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 40
Seite 108
... whole structure , diminish at the same time its beauty . Thus , the one group fails because , though functional , it is not vivid ; the other because , though vivid , it is not functional . Such , or somewhat such , would be the ...
... whole structure , diminish at the same time its beauty . Thus , the one group fails because , though functional , it is not vivid ; the other because , though vivid , it is not functional . Such , or somewhat such , would be the ...
Seite 141
... whole , as they came . Some stress is not untruly laid upon his ' liberty ' ; a Gothic capital was , now and then , left to his individual imagination . But how minute , after all , is this element in the whole picture . The stress laid ...
... whole , as they came . Some stress is not untruly laid upon his ' liberty ' ; a Gothic capital was , now and then , left to his individual imagination . But how minute , after all , is this element in the whole picture . The stress laid ...
Seite 233
... whole must predominate over that of the parts ; the parts must enforce the general character of the whole and help us to realise its bulk ; they must not detach themselves from the mass in such a way as to detract from its apparent ...
... whole must predominate over that of the parts ; the parts must enforce the general character of the whole and help us to realise its bulk ; they must not detach themselves from the mass in such a way as to detract from its apparent ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius