The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 32
Seite 69
... tion , the parts bear no relation to one another or to the whole . No such relation is attempted , for none is desired . The building grows , without direction , from the casual exigencies of its plan . The effect intended , if not ...
... tion , the parts bear no relation to one another or to the whole . No such relation is attempted , for none is desired . The building grows , without direction , from the casual exigencies of its plan . The effect intended , if not ...
Seite 122
... tion had declared this architecture to be : it is now repugnant to the conscience and a peril to the soul . From the confused web of prejudice which invests the appreciation of architecture , we have therefore to disentangle a new group ...
... tion had declared this architecture to be : it is now repugnant to the conscience and a peril to the soul . From the confused web of prejudice which invests the appreciation of architecture , we have therefore to disentangle a new group ...
Seite 252
... tion truthfully expressed How far Greek or Gothic architecture can be called ' good construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with But perhaps both are necessary ? Architecture defined as the ...
... tion truthfully expressed How far Greek or Gothic architecture can be called ' good construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with But perhaps both are necessary ? Architecture defined as the ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius