The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 168
... things , placed a scientific emphasis , for its own sake , upon sequence . Both these were enlargements of our curiosity . But the Romantic enlargement fails because , although it finds an æsthetic value in the past , the value it finds ...
... things , placed a scientific emphasis , for its own sake , upon sequence . Both these were enlargements of our curiosity . But the Romantic enlargement fails because , although it finds an æsthetic value in the past , the value it finds ...
Seite 207
... things admittedly beautiful , and no less among things admittedly ugly . A certain minimum of order is implied in all design , good or bad ; but , given this , it is clear that what satisfies the eye is not Order , nor a ratio between ...
... things admittedly beautiful , and no less among things admittedly ugly . A certain minimum of order is implied in all design , good or bad ; but , given this , it is clear that what satisfies the eye is not Order , nor a ratio between ...
Seite 234
... things may be distinguished : the bigness which it actually has , the bigness which it appears to have , and the feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness which alone ...
... things may be distinguished : the bigness which it actually has , the bigness which it appears to have , and the feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness which alone ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius