The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 99
... tecture on the other . But such a procedure is mis- leading , and evades the real issue . It is , on the con- trary , imperative to recognise that the Renaissance claimed and exercised this licence from the first , and to make the ...
... tecture on the other . But such a procedure is mis- leading , and evades the real issue . It is , on the con- trary , imperative to recognise that the Renaissance claimed and exercised this licence from the first , and to make the ...
Seite 149
... tecture itself does not move , and the movement is in our attention , drawn here and there by the design , held and liberated by its stress and accent , every- thing must depend upon the kind of attention the design invites . An ...
... tecture itself does not move , and the movement is in our attention , drawn here and there by the design , held and liberated by its stress and accent , every- thing must depend upon the kind of attention the design invites . An ...
Seite 221
... tecture : ' He that hath not mastered , or doth not master the human figure , and in especial its anatomy , may never comprehend it . ' III But , how far , it is natural to ask , can such an explanation be carried ? Granting its truth ...
... tecture : ' He that hath not mastered , or doth not master the human figure , and in especial its anatomy , may never comprehend it . ' III But , how far , it is natural to ask , can such an explanation be carried ? Granting its truth ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius