The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 89
Seite
A Study in the History of Taste Geoffrey Scott. Roman , Mediæval or Georgian architects , or it must be ' original ... taste to the history of ideas . It is , I believe , from a failure to appreciate the true relation of taste to ideas ...
A Study in the History of Taste Geoffrey Scott. Roman , Mediæval or Georgian architects , or it must be ' original ... taste to the history of ideas . It is , I believe , from a failure to appreciate the true relation of taste to ideas ...
Seite 34
... taste for form . It follows that it is reasonable to analyse the Italian styles primarily in terms of taste : to ask , how far do they fulfil that third condition of well - building ' which Wotton names ' delight . ' But it is one thing ...
... taste for form . It follows that it is reasonable to analyse the Italian styles primarily in terms of taste : to ask , how far do they fulfil that third condition of well - building ' which Wotton names ' delight . ' But it is one thing ...
Seite 205
... taste the subject matter of criticism - is not purely intellectual . The effort of criticism to under- stand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste ...
... taste the subject matter of criticism - is not purely intellectual . The effort of criticism to under- stand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius