The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 32
... suggested , to the later and supposedly decadent phases of the art . Material , then , was utterly subservient to style . Enough has now perhaps been said to suggest that Renaissance architecture in Italy pursued its course and assumed ...
... suggested , to the later and supposedly decadent phases of the art . Material , then , was utterly subservient to style . Enough has now perhaps been said to suggest that Renaissance architecture in Italy pursued its course and assumed ...
Seite 211
... suggested that the top - heavy building and the cramped space are ugly because they suggest the idea of instability , the idea of collapse , the idea of restric- tion , and so forth . But these ideas are not in them- selves disagreeable ...
... suggested that the top - heavy building and the cramped space are ugly because they suggest the idea of instability , the idea of collapse , the idea of restric- tion , and so forth . But these ideas are not in them- selves disagreeable ...
Seite 232
... suggested by the continuous horizontal curve of the Grand Canal is brought to rest by the static mass of the church that stands like its gate upon the sea . The lines of the dome create a sense of massive bulk at rest ; of weight that ...
... suggested by the continuous horizontal curve of the Grand Canal is brought to rest by the static mass of the church that stands like its gate upon the sea . The lines of the dome create a sense of massive bulk at rest ; of weight that ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius