The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
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Seite 117
... structure is explained , and the knowledge of the fact should give the scientific critic the satis- faction he desires . And if our pleasure lies in intel- lectually tracing , not the means by which the structure is made possible , but ...
... structure is explained , and the knowledge of the fact should give the scientific critic the satis- faction he desires . And if our pleasure lies in intel- lectually tracing , not the means by which the structure is made possible , but ...
Seite 118
... structure . The prestige which still , in all our thought , attaches to mechanical considerations , has given to so ... structure ' have been entangled and con- fused . Structure , in one sense , is the scientific method of ' well ...
... structure . The prestige which still , in all our thought , attaches to mechanical considerations , has given to so ... structure ' have been entangled and con- fused . Structure , in one sense , is the scientific method of ' well ...
Seite 119
... structure is the cause of our confusion . For the aesthetic efficacy of structure does not develop or vary pari passu with structural technique . They stand in relation to one another , but not in a fixed relation . Some structural ...
... structure is the cause of our confusion . For the aesthetic efficacy of structure does not develop or vary pari passu with structural technique . They stand in relation to one another , but not in a fixed relation . Some structural ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius