The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 6
... standards of constructive skill , another by standards of rhythm and proportion , and a third by standards of practical use or by the moral impulse of its builders . This medley of ele- ments , diverse and uncommensurated as they are ...
... standards of constructive skill , another by standards of rhythm and proportion , and a third by standards of practical use or by the moral impulse of its builders . This medley of ele- ments , diverse and uncommensurated as they are ...
Seite 72
... standards , their appropriate conventions ; standards and conventions founded in experience , and necessary to render them effective in any under- taking , howsoever inspired . When for any reason tradition , which is the vehicle of ...
... standards , their appropriate conventions ; standards and conventions founded in experience , and necessary to render them effective in any under- taking , howsoever inspired . When for any reason tradition , which is the vehicle of ...
Seite 249
... standard ; firmness Its practical standard ; commodity Its æsthetic standard ; delight Limitations of Historical Criticism Limitations of a priori criticism ; its false simplification of the problem . Conflict of values thus involved ...
... standard ; firmness Its practical standard ; commodity Its æsthetic standard ; delight Limitations of Historical Criticism Limitations of a priori criticism ; its false simplification of the problem . Conflict of values thus involved ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius