The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 23
... stand committed to none . This space , and this patronage , the papacy was fitted to provide . The rivalry of successive popes , their diverse origins and sympathies , their common passion to leave behind them an enduring monument of ...
... stand committed to none . This space , and this patronage , the papacy was fitted to provide . The rivalry of successive popes , their diverse origins and sympathies , their common passion to leave behind them an enduring monument of ...
Seite 205
... stand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste intelligible . Of this tendency to over - intellectualize architec- ture we have already traced some ...
... stand ' architecture has done no more than add its own assertions to the confused assertions of mere taste . It has not rendered taste intelligible . Of this tendency to over - intellectualize architec- ture we have already traced some ...
Seite 226
... stand . And here is the very centre of architectural art . The functions of the arts , at many points , overlap ; architecture has much that it holds in common with sculpture , and more that it shares with music . But it has also its ...
... stand . And here is the very centre of architectural art . The functions of the arts , at many points , overlap ; architecture has much that it holds in common with sculpture , and more that it shares with music . But it has also its ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius