The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 53
... significance . Any characteristic , real or imagined , of a mixed set of northern races , during a period of several hundred years , is discovered at will in these cathedrals of the twelfth and thirteenth centuries , although it is more ...
... significance . Any characteristic , real or imagined , of a mixed set of northern races , during a period of several hundred years , is discovered at will in these cathedrals of the twelfth and thirteenth centuries , although it is more ...
Seite 60
... significance , the meaning and the associations of the sounds which constitute its direct material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material ...
... significance , the meaning and the associations of the sounds which constitute its direct material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material ...
Seite 61
... significance , that a building whose utilitarian intention is crudely ignoble , and which is thus sym- bolic of ignoble things , may easily affect us , through its direct elements , as sublime . Literature may possess abstract ...
... significance , that a building whose utilitarian intention is crudely ignoble , and which is thus sym- bolic of ignoble things , may easily affect us , through its direct elements , as sublime . Literature may possess abstract ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius