The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 56
Seite 68
... sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval ...
... sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval ...
Seite 112
... sense of its mass , and the vigorous , powerful contour which seems to control and support its body . Yet actually the very attempt to give it this character , to add this majestically structural effect to the resources of architectural ...
... sense of its mass , and the vigorous , powerful contour which seems to control and support its body . Yet actually the very attempt to give it this character , to add this majestically structural effect to the resources of architectural ...
Seite 223
... sense of upward direction , and lines which are spread - horizontal lines - convey suggestions of rest . Thus the architect has already , in the lines of a design , a considerable opportunity . He controls the path of the eye ; the path ...
... sense of upward direction , and lines which are spread - horizontal lines - convey suggestions of rest . Thus the architect has already , in the lines of a design , a considerable opportunity . He controls the path of the eye ; the path ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius