The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 20
... seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the ... seem more fruitful . The growth of the new style is undoubtedly associ- ated , at Florence , Milan , Naples and other ...
... seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the ... seem more fruitful . The growth of the new style is undoubtedly associ- ated , at Florence , Milan , Naples and other ...
Seite 108
... seem peculiarly convincing . Such a view , even in the modified form in which we have stated it , sets up an ideal of ... seems , inevit- ably , from any sympathy with the latter style . Be- fore accepting this unfortunate conclusion ...
... seem peculiarly convincing . Such a view , even in the modified form in which we have stated it , sets up an ideal of ... seems , inevit- ably , from any sympathy with the latter style . Be- fore accepting this unfortunate conclusion ...
Seite 117
... seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position — and it seems to be the last— is simply met . For if it is to ...
... seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position — and it seems to be the last— is simply met . For if it is to ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius