The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 4
... purely æsthetic result , for it has to deal with a concrete basis which is utilitarian . It is , none the less , a purely æsthetic impulse , an impulse distinct from all the others which architecture may simultaneously satisfy , an ...
... purely æsthetic result , for it has to deal with a concrete basis which is utilitarian . It is , none the less , a purely æsthetic impulse , an impulse distinct from all the others which architecture may simultaneously satisfy , an ...
Seite 53
... . The whole process is purely literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of THE ROMANTIC FALLACY 53.
... . The whole process is purely literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of THE ROMANTIC FALLACY 53.
Seite 205
... purely mechani- cal terms , and to purely historical terms ; we have seen it associated with poetical ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural ...
... purely mechani- cal terms , and to purely historical terms ; we have seen it associated with poetical ideas , with ideas of conduct and of biology . But , of all forms of criticism , the academic theory which confines architectural ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius