The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 28
... principle , or the use of a new material , has started architectural design upon a path which it has followed , as it were of neces- sity , unable to desist from its course until the full possibilities of the innovation had been ...
... principle , or the use of a new material , has started architectural design upon a path which it has followed , as it were of neces- sity , unable to desist from its course until the full possibilities of the innovation had been ...
Seite 83
... principle in which Renaissance architects put faith . This principle , like all the principles of Renaissance architecture , rested on a psychological fact . The different effects which art is able to produce , however various and ...
... principle in which Renaissance architects put faith . This principle , like all the principles of Renaissance architecture , rested on a psychological fact . The different effects which art is able to produce , however various and ...
Seite 101
... principle , the one of the lintel , the other of the vault . Now , in so far as this argument is based on the Greek and mediæval practice of architecture , it is an argument a posteriori . But it is clearly useless to reason ...
... principle , the one of the lintel , the other of the vault . Now , in so far as this argument is based on the Greek and mediæval practice of architecture , it is an argument a posteriori . But it is clearly useless to reason ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius