The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
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Seite 81
... preferences altogether irrational or even new . Naturalism in architecture is partly a poetical taste ; partly it is ... preference not merely of the fancy or the conscience , but of the eye . It may have entered modern architecture by a ...
... preferences altogether irrational or even new . Naturalism in architecture is partly a poetical taste ; partly it is ... preference not merely of the fancy or the conscience , but of the eye . It may have entered modern architecture by a ...
Seite 208
... preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and , while mathematical ' proportion ' belongs to the abstract intellect , æsthetic ' proportion ' is a preference ...
... preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and , while mathematical ' proportion ' belongs to the abstract intellect , æsthetic ' proportion ' is a preference ...
Seite 264
... preference . In attempting to show on what that preference is psychologically founded , I am not suggesting ( 1 ) that 264 THE ARCHITECTURE OF HUMANISM.
... preference . In attempting to show on what that preference is psychologically founded , I am not suggesting ( 1 ) that 264 THE ARCHITECTURE OF HUMANISM.
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius