The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 6
... practical use or by the moral impulse of its builders . This medley of ele- ments , diverse and uncommensurated as they are , can furnish no general estimate or true comparison of style . Doubtless , as a matter of history ...
... practical use or by the moral impulse of its builders . This medley of ele- ments , diverse and uncommensurated as they are , can furnish no general estimate or true comparison of style . Doubtless , as a matter of history ...
Seite 111
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical ...
... practical requirements of a Gothic cathedral . But the moment mediæval building , of which the scientific criticism thinks so highly , attempted to enlarge its scope , it was compelled to sacrifice general design to practical ...
Seite 196
... practical and speculative , by which in the sixteenth and seventeenth century the mind of Europe was devoured . In and out of a vast store of useful , practical advice upon construction and engineering are woven a complacent moral ...
... practical and speculative , by which in the sixteenth and seventeenth century the mind of Europe was devoured . In and out of a vast store of useful , practical advice upon construction and engineering are woven a complacent moral ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius