The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 87
... picturesque . That the baroque style should be supreme in the garden and in the theatre - the two provinces which permit design its greatest liberty - was to be expected . The fountains and caryatides at Caprarola , the stage ...
... picturesque . That the baroque style should be supreme in the garden and in the theatre - the two provinces which permit design its greatest liberty - was to be expected . The fountains and caryatides at Caprarola , the stage ...
Seite 89
... picturesque , defensible enough in those two arts , could not be long constrained within their limits . A picturesque architecture was required - an archi- tecture untrammelled by those restraints which even the baroque style had ...
... picturesque , defensible enough in those two arts , could not be long constrained within their limits . A picturesque architecture was required - an archi- tecture untrammelled by those restraints which even the baroque style had ...
Seite 91
... picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields ... picturesque ; but the picturesque ideal is at variance with tradition and repugnant to design . Our concern is here with ...
... picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields ... picturesque ; but the picturesque ideal is at variance with tradition and repugnant to design . Our concern is here with ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius