The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
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Seite 116
... physical ex- perience . We have no knowledge in ourselves of any such paradoxical relations . Our æsthetic reactions are limited by our power to recreate in ourselves , imagin- atively , the physical conditions suggested by the form we ...
... physical ex- perience . We have no knowledge in ourselves of any such paradoxical relations . Our æsthetic reactions are limited by our power to recreate in ourselves , imagin- atively , the physical conditions suggested by the form we ...
Seite 218
... physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's consciousness ; it says that they , or the suggestion of them , are a necessary ...
... physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's consciousness ; it says that they , or the suggestion of them , are a necessary ...
Seite 255
... physical sensation But implies a process of mental self - identification with the apparent physical state of the object , and a sym- pathetic activity of the physical memory Answer to certain possible objections to this view : ( 1 ) ...
... physical sensation But implies a process of mental self - identification with the apparent physical state of the object , and a sym- pathetic activity of the physical memory Answer to certain possible objections to this view : ( 1 ) ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius