The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 27
Seite 31
... painting , where no such factors operated , than in their architecture . Clearly , therefore , it sprang in both cases from an independent and native prefer- ence of taste . And , conversely , once more , the rough travertine of Rome ...
... painting , where no such factors operated , than in their architecture . Clearly , therefore , it sprang in both cases from an independent and native prefer- ence of taste . And , conversely , once more , the rough travertine of Rome ...
Seite 82
... painting of Italian backgrounds almost from the first . Their presence gave a special popularity to such subjects as the Adoration of the Kings , depicted , as by convention they habitually were , with strange exotic retinues and every ...
... painting of Italian backgrounds almost from the first . Their presence gave a special popularity to such subjects as the Adoration of the Kings , depicted , as by convention they habitually were , with strange exotic retinues and every ...
Seite 181
... painting fulfilled , and even passed beyond , the favourable limit . Thus , while the baroque architects were exploring in a veritable fever of invention the possibilities of their inheritance , their contemporaries in painting were ...
... painting fulfilled , and even passed beyond , the favourable limit . Thus , while the baroque architects were exploring in a veritable fever of invention the possibilities of their inheritance , their contemporaries in painting were ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius