The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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... original ' and ' spontaneous , ' that is , it must be at pains to avoid this resemblance ; or it must strike some happy compromise between these opposites ; and so forth indefinitely . If these axioms were frankly untrue , they would be ...
... original ' and ' spontaneous , ' that is , it must be at pains to avoid this resemblance ; or it must strike some happy compromise between these opposites ; and so forth indefinitely . If these axioms were frankly untrue , they would be ...
Seite 41
... original meaning of the word , expresses an essential fact . You can pass , in poetry , at a leap from Pope to Blake , for the sleepiest printer can set up the most original remarks . But the conceptions of an architect must be worked ...
... original meaning of the word , expresses an essential fact . You can pass , in poetry , at a leap from Pope to Blake , for the sleepiest printer can set up the most original remarks . But the conceptions of an architect must be worked ...
Seite 189
... original genius were concentrated in the capital , the Renaissance is satis- fied , in architecture , with a merely reproductive effort . The little church of San Pietro in Montorio , already cited - save in a few details , a pagan ...
... original genius were concentrated in the capital , the Renaissance is satis- fied , in architecture , with a merely reproductive effort . The little church of San Pietro in Montorio , already cited - save in a few details , a pagan ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius