The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 217
... object to be invested with powers like his own.1 It is the way of the primitive peoples , who in the elaborate business of the dance give a bodily rendering to their beliefs and desires long before thought has accurately expressed them ...
... object to be invested with powers like his own.1 It is the way of the primitive peoples , who in the elaborate business of the dance give a bodily rendering to their beliefs and desires long before thought has accurately expressed them ...
Seite 231
... object , by the disposition of the bulk within its contours , carries with it suggestions of weight easily or ... objects often weak and uncompacted , but also by objects which , being strong , are yet not strong in our own way , and ...
... object , by the disposition of the bulk within its contours , carries with it suggestions of weight easily or ... objects often weak and uncompacted , but also by objects which , being strong , are yet not strong in our own way , and ...
Seite 260
... object . Such an attitude was precisely that of the great architects of the past . Only there is this difference : that they were really saturated in their manner of building , and had not 260 THE ARCHITECTURE OF HUMANISM.
... object . Such an attitude was precisely that of the great architects of the past . Only there is this difference : that they were really saturated in their manner of building , and had not 260 THE ARCHITECTURE OF HUMANISM.
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius