The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 40
... movement strong enough to become conspicuously dominant must long previously , it is safe to suppose , have been latently operative . And , in architecture , although the Romantic Movement of the nineteenth century dealt the final death ...
... movement strong enough to become conspicuously dominant must long previously , it is safe to suppose , have been latently operative . And , in architecture , although the Romantic Movement of the nineteenth century dealt the final death ...
Seite 223
... movement ; movement determines our mood . But line is not the sole means of affecting our sense of movement . Space , also , controls it . Spaces may be in two dimensions or in three . We may consider the simpler case first . A large ...
... movement ; movement determines our mood . But line is not the sole means of affecting our sense of movement . Space , also , controls it . Spaces may be in two dimensions or in three . We may consider the simpler case first . A large ...
Seite 224
... movement . And beauty of disposition in architecture , like beauty of line , arises from our own physical experience of easy movement in space . But not all movements are pleasant or unpleasant in themselves ; the majority of them are ...
... movement . And beauty of disposition in architecture , like beauty of line , arises from our own physical experience of easy movement in space . But not all movements are pleasant or unpleasant in themselves ; the majority of them are ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius