The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 26
Seite 126
... moral reference . Romanticism had made architec- ture speak a language not its own - a language that could only communicate to the spectator the thoughts he himself might bring . Architecture had become a mirror to literary preferences ...
... moral reference . Romanticism had made architec- ture speak a language not its own - a language that could only communicate to the spectator the thoughts he himself might bring . Architecture had become a mirror to literary preferences ...
Seite 127
... moral appeal becomes imaginative and the religious appeal poetic . Never- theless , the arguments which could ... moral judgment ; for the moral judgment claims an authority superior to the aesthetic , and applies to all purpose and ...
... moral appeal becomes imaginative and the religious appeal poetic . Never- theless , the arguments which could ... moral judgment ; for the moral judgment claims an authority superior to the aesthetic , and applies to all purpose and ...
Seite 159
... moral issues are utterly different from æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been the favourite retort , and this ...
... moral issues are utterly different from æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has been the favourite retort , and this ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius