The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 94
... method which , in one particular field , had proved so fruitful . Every aspect of things which eluded mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific ...
... method which , in one particular field , had proved so fruitful . Every aspect of things which eluded mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom of scientific ...
Seite 152
... method , qua method , root and branch , and to insist that the baroque style was the first to grasp the psychological basis , and consequent liberties of architectural art . Yet such is the fact . the more familiar I am with Renaissance ...
... method , qua method , root and branch , and to insist that the baroque style was the first to grasp the psychological basis , and consequent liberties of architectural art . Yet such is the fact . the more familiar I am with Renaissance ...
Seite 159
... method has been theological or utili- tarian or intuitive , it has come to the same end : it has raised a prejudice and destroyed a taste without cause , logic , or advantage . Are we then to say , with the critics on the other side ...
... method has been theological or utili- tarian or intuitive , it has come to the same end : it has raised a prejudice and destroyed a taste without cause , logic , or advantage . Are we then to say , with the critics on the other side ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius