The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 96
... mediæval art a superior prestige . For the Gothic builders were not merely favourites of romance ; they had been greatly occupied with the sheer pro- blems of construction . Gothic architecture , strictly speaking , came into existence ...
... mediæval art a superior prestige . For the Gothic builders were not merely favourites of romance ; they had been greatly occupied with the sheer pro- blems of construction . Gothic architecture , strictly speaking , came into existence ...
Seite 102
... mediæval architecture merely as an illustration . Can we say that the illustration is a fair one ? Is it a sufficient description of the Greek and Gothic styles of architecture to say that they are ' good construc- tion , truthfully ...
... mediæval architecture merely as an illustration . Can we say that the illustration is a fair one ? Is it a sufficient description of the Greek and Gothic styles of architecture to say that they are ' good construc- tion , truthfully ...
Seite 145
... the Gothic builders ) , it illustrates the superb spirit of the baroque Pope , who gave Rome , for the second time , an imperial architecture . K mediæval manner , or a model settlement in the demo- THE ETHICAL FALLACY 145.
... the Gothic builders ) , it illustrates the superb spirit of the baroque Pope , who gave Rome , for the second time , an imperial architecture . K mediæval manner , or a model settlement in the demo- THE ETHICAL FALLACY 145.
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius