The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 45
Seite 94
... mechanical invention which followed , with singular exactness , the close of the Renaissance tradition , should be ... mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom ...
... mechanical invention which followed , with singular exactness , the close of the Renaissance tradition , should be ... mechanical explanation became disregarded , or was even forced by violence into mechanical terms . For it was an axiom ...
Seite 96
... mechanical elements indisputably formed the basis , it was natural to pretend that mechanical results were the goal ; especially at a time when , in every field of thought , the nature of value was being more or less confused with the ...
... mechanical elements indisputably formed the basis , it was natural to pretend that mechanical results were the goal ; especially at a time when , in every field of thought , the nature of value was being more or less confused with the ...
Seite 119
... mechanical problems achieve an æsthetic interest and an ideal value . Structure , then , is , on the one hand , the technique by which the art of architecture is made possible ; and , on the other hand , it is part of its artistic ...
... mechanical problems achieve an æsthetic interest and an ideal value . Structure , then , is , on the one hand , the technique by which the art of architecture is made possible ; and , on the other hand , it is part of its artistic ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius