The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 29
... means unknown to the Gothic builders . But what in medieval construction had been an exceptional remedy , was accepted by the Renaissance builders as an obvious and legitimate There was nothing novel in the expedient . Its frequent ...
... means unknown to the Gothic builders . But what in medieval construction had been an exceptional remedy , was accepted by the Renaissance builders as an obvious and legitimate There was nothing novel in the expedient . Its frequent ...
Seite 102
... means . But what are the ' necessary ' results ? In the case of the Greek and Gothic styles , they are to roof a church or a temple of a certain grandeur and proportion ; but the grandeur and proportion were determined not on practical ...
... means . But what are the ' necessary ' results ? In the case of the Greek and Gothic styles , they are to roof a church or a temple of a certain grandeur and proportion ; but the grandeur and proportion were determined not on practical ...
Seite 260
... means and ends— mechanical means to a practical end — and is purely one of reasoning ; but the further problem is one of taste , and here I can see for myself , and no mere argument can upset my felt preferences : ' if he says this I ...
... means and ends— mechanical means to a practical end — and is purely one of reasoning ; but the further problem is one of taste , and here I can see for myself , and no mere argument can upset my felt preferences : ' if he says this I ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius