The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 14
Seite 35
... look out for , attend to , and expect to find . All these preoccupations may modify our judgment at every turn , and interpose between us and the clear features of the art an invisible but obscuring veil . Before we put faith in our ...
... look out for , attend to , and expect to find . All these preoccupations may modify our judgment at every turn , and interpose between us and the clear features of the art an invisible but obscuring veil . Before we put faith in our ...
Seite 68
... look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic builders be- longed to the ' nobly savage ...
... look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic builders be- longed to the ' nobly savage ...
Seite 234
... look its size . ' For big things are not , as such , more beautiful than small , and the smallest object- a mere gem ... looks big may fail to convey a feeling of bigness . No one , for instance , looking at the new Museum at South ...
... look its size . ' For big things are not , as such , more beautiful than small , and the smallest object- a mere gem ... looks big may fail to convey a feeling of bigness . No one , for instance , looking at the new Museum at South ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius