The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 52
... literary fashion , may at any time alter the feeling we entertain . Yet the concrete arts which these different periods pro- duced remain always the same , still capable of address- ing the same appeal to the physical senses . If , then ...
... literary fashion , may at any time alter the feeling we entertain . Yet the concrete arts which these different periods pro- duced remain always the same , still capable of address- ing the same appeal to the physical senses . If , then ...
Seite 53
... literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of THE ROMANTIC FALLACY 53.
... literary , its charm is in the literary value of the idea itself , or in the act and process of association . Moreover , since literary exercises invite effects of THE ROMANTIC FALLACY 53.
Seite 63
... literary ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These ' literary ' ideas ought not to be the primary value of a material art ; they are ...
... literary ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These ' literary ' ideas ought not to be the primary value of a material art ; they are ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius