The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 42
... interest with the forms and principles of an existing art . Had the Romantic Movement complied , even in some degree , with the essential conditions , a genuine architectural style might have been created , formed , as it were , out of ...
... interest with the forms and principles of an existing art . Had the Romantic Movement complied , even in some degree , with the essential conditions , a genuine architectural style might have been created , formed , as it were , out of ...
Seite 161
... interest others , to influence creation or control taste : it becomes small and desiccated in itself . And another result is equally apparent . Appreciation , thus isolated , discriminates the nice distinctions of species , but loses ...
... interest others , to influence creation or control taste : it becomes small and desiccated in itself . And another result is equally apparent . Appreciation , thus isolated , discriminates the nice distinctions of species , but loses ...
Seite 169
... interest is centred in the sequence , a superior interest to the outstanding landmarks of achieved style . For the intellectual problem is , precisely , to connect these landmarks with one another and with their obscure origins . Hence ...
... interest is centred in the sequence , a superior interest to the outstanding landmarks of achieved style . For the intellectual problem is , precisely , to connect these landmarks with one another and with their obscure origins . Hence ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius