The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 83
... insistent and dominating ; whatever permits us no escape - that , they felt , must be formal , coherent , and , in some sense , serene . Real archi- tecture , by its very scale and function , is such an art . It is insistent ...
... insistent and dominating ; whatever permits us no escape - that , they felt , must be formal , coherent , and , in some sense , serene . Real archi- tecture , by its very scale and function , is such an art . It is insistent ...
Seite 90
... insistent . There is a romanticism of conceits : the romanticism of Chambord , or the poetry of Donne . But there is also a romanticism of natural simplicity : the roman- ticism of Wordsworth and of a ' rustic ' architecture ...
... insistent . There is a romanticism of conceits : the romanticism of Chambord , or the poetry of Donne . But there is also a romanticism of natural simplicity : the roman- ticism of Wordsworth and of a ' rustic ' architecture ...
Seite 199
... insistent individualities , made restless with the rapid change of life , split by local traditions and infected always by the disturbing influence of painting , the academic code gave not a barren uniformity but a point of leverage ...
... insistent individualities , made restless with the rapid change of life , split by local traditions and infected always by the disturbing influence of painting , the academic code gave not a barren uniformity but a point of leverage ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius