The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 55
... importance of having , or not having , these features in general , than with the importance of having them individually beautiful , or beautifully combined . It sets up a false conception of style and attaches ex- aggerated value to it ...
... importance of having , or not having , these features in general , than with the importance of having them individually beautiful , or beautifully combined . It sets up a false conception of style and attaches ex- aggerated value to it ...
Seite 56
... importance , but , still more , they give it an importance of a wholly different kind . For in Renaissance architecture the purpose of detail , as we shall see , is primarily to give effect to the values of Mass , Space , Line , and ...
... importance , but , still more , they give it an importance of a wholly different kind . For in Renaissance architecture the purpose of detail , as we shall see , is primarily to give effect to the values of Mass , Space , Line , and ...
Seite 140
... importance of the matter is a social importance ; the life of society is thought of as an essentially indi- visible whole , and that fragment of it which is the life of architecture cannot - it is suggested - be really good , if it is ...
... importance of the matter is a social importance ; the life of society is thought of as an essentially indi- visible whole , and that fragment of it which is the life of architecture cannot - it is suggested - be really good , if it is ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius